{"id":6033,"date":"2023-02-28T10:27:24","date_gmt":"2023-02-28T09:27:24","guid":{"rendered":"https:\/\/kingkong-mag.com\/have-i-been-trained-ou-le-consentement-aux-ia\/"},"modified":"2023-03-13T10:49:29","modified_gmt":"2023-03-13T09:49:29","slug":"have-i-been-trained-ou-le-consentement-aux-ia","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/","title":{"rendered":"\u2018Have I been trained\u2019, or consent to AIs"},"content":{"rendered":"

\r\nEn apparence, c\u2019est un moteur de recherche qui permet aux artistes de savoir si leur travail a \u00e9t\u00e9 utilis\u00e9 pour entra\u00eener des intelligences artificielles g\u00e9n\u00e9ratives d\u2019images. En arri\u00e8re-plan s\u2019ouvre le d\u00e9bat sur le consentement \u00e0 ces technologies et le bien-fond\u00e9 du m\u00e9canisme de propri\u00e9t\u00e9 intellectuelle. Plong\u00e9e dans “Have I been trained” avec Mathew Dryhurst, son co-cr\u00e9ateur.\r\n<\/p>\n\n\n

On connaissait “Have I been pwned<\/a>“, un moteur de recherche qui permet de savoir si son adresse email a \u00e9t\u00e9 corrompue. Voici “Have I been trained”, un moteur mis en place par le duo d\u2019artistes Holly Herndon<\/a> et Mathew Dryhurst<\/a> et qui propose aux artistes de rechercher \u2013 via texte ou image – si leur travail a \u00e9t\u00e9 utilis\u00e9 pour entra\u00eener des intelligences artificielles (IA) de g\u00e9n\u00e9ration d\u2019images telles que Dall\u00b7E<\/a>. Si tel est le cas, l\u2019utilisateur peut s\u2019identifier et r\u00e9clamer que cette donn\u00e9e ne soit plus utilis\u00e9e dans le futur pour entra\u00eener des IA \u2013 en tout cas, par les organisations qui s\u2019engagent \u00e0 respecter cette demande. “Nous avons trouv\u00e9 un accord avec Stability pour qu\u2019ils honorent les requ\u00eates faites sur notre site et il est possible de se retirer de Stable Diffusion v3”, se f\u00e9licite le chercheur et artiste Mathew Dryhurst, qui affirme \u00eatre en discussion avec d\u2019autres entreprises. “Nous ne pouvons pas garantir que toutes r\u00e9pondront favorablement, mais nous sommes optimistes sur le fait que de plus en plus d\u2019organisations nous rejoindront.”<\/p>\n\n\n\n

Pour obtenir ces informations, le duo s\u2019appuie sur LAION-5B, une base de donn\u00e9es publique de 5,85 milliards d\u2019image CLIP<\/a>, un mod\u00e8le d\u00e9velopp\u00e9 par OpenAI<\/a> et qui permet d\u2019associer image et texte. Port\u00e9e par l\u2019organisation \u00e0 but non lucratif Laion<\/a>, dont l\u2019objectif est de “lib\u00e9rer la recherche en machine learning”, la base de donn\u00e9es est utilis\u00e9e par “de nombreux services d\u2019images populaires comme Stable Diffusion”, pr\u00e9sente Mathew Dryhurst.<\/p>\n\n\n\n

Les r\u00e9sultats obtenus via “Have I been trained” sont donc significatifs, mais parcellaires. “Nous sommes ouverts \u00e0 l\u2019exploration d\u2019autres bases de donn\u00e9es, fait savoir le chercheur. Mais pour le moment, de nombreuses organisations n\u2019ont pas rendu publiques celles qu\u2019elles utilisent pour leurs mod\u00e8les.”<\/p>\n\n\n\n

La propri\u00e9t\u00e9 intellectuelle, mal adapt\u00e9e \u00e0 l\u2019\u00e8re de l\u2019IA<\/h3>\n\n\n\n

Derri\u00e8re ce site \u00e0 l\u2019apparence simple, c\u2019est la notion de consentement \u00e0 l’entra\u00eenement des IA que d\u00e9fendent Mathew Dryhurst et Holly Herndon. Une probl\u00e9matique sur laquelle iels travaillent, notamment en s\u2019adressant directement aux entreprises d\u2019IA, depuis 2017 – “longtemps avant que les gens ne s\u2019en pr\u00e9occupent”, souligne l\u2019artiste.<\/p>\n\n\n\n

La t\u00e2che est loin d\u2019\u00eatre simple. Rendu urgent par les r\u00e9centes avanc\u00e9es et le succ\u00e8s ph\u00e9nom\u00e9nal des derni\u00e8res IA g\u00e9n\u00e9ratives, le probl\u00e8me prend racine dans le fonctionnement m\u00eame du web, d\u00e9crit Dryhurst dans un article sur Art Review<\/a>. Pour le duo, c\u2019est tout le m\u00e9canisme de propri\u00e9t\u00e9 intellectuelle qu\u2019il faut remettre en cause. Il n\u2019\u00e9tait d\u00e9j\u00e0 pas adapt\u00e9 pour Internet, il l\u2019est encore moins \u00e0 l\u2019\u00e8re des IA g\u00e9n\u00e9ratives, ou de ce que le duo appelle le spawning <\/em>: cr\u00e9er ind\u00e9finiment de nouvelles \u0153uvres \u00e0 partir de donn\u00e9es d’entra\u00eenement, un processus “relativement plus significatif que la pratique du sampling ou du collage du 20\u00e8me<\/sup> si\u00e8cle”, estime Dryhurst.<\/p>\n\n\n\n

\"\"
Capture d’\u00e9cran Have I Been Trained?<\/figcaption><\/figure>\n\n\n\n

Devant l\u2019ampleur de la t\u00e2che, chaque chose en son temps, temp\u00e8re l\u2019artiste. “Nous nous concentrons \u00e0 \u00e9tablir une autorit\u00e9 et une propri\u00e9t\u00e9 sur les donn\u00e9es d’entra\u00eenement, parce que nous estimons que dans un monde assist\u00e9 par IA tout m\u00e9dia est une forme de data d’entra\u00eenement, pose-t-il. Et nous esp\u00e9rons que les lois et les politiques vont commencer \u00e0 dig\u00e9rer \u00e0 quel point il s\u2019agit d\u2019une affaire importante.” \u00c0 terme, Mathew Dryhurst estime qu\u2019il pourrait \u00eatre b\u00e9n\u00e9fique pour la communaut\u00e9 IA comme pour la communaut\u00e9 des artistes d\u2019obtenir des donn\u00e9es consenties. “Il est encore t\u00f4t et c\u2019est une bonne chose que le public d\u00e9batte sur comment les choses doivent \u00eatre, pense-t-il. J\u2019aimerais \u00e9viter ce qu\u2019est un monde sans consentement, projette-t-il dans son article. Lorsque le consentement est absent, de belles relations et connexions sont entrav\u00e9es plut\u00f4t que d\u2019\u00eatre nourries.”<\/p>\n\n\n\n

Une approche pragmatique ?<\/h3>\n\n\n\n

Du c\u00f4t\u00e9 des artistes nouvellement confront\u00e9\u00b7es aux IA, l\u2019approche ne fait pas l\u2019unanimit\u00e9. L\u2019initiative a re\u00e7u un accueil plut\u00f4t mitig\u00e9, reconna\u00eet Dryhurst. Dans le milieu de l\u2019art contemporain, o\u00f9 \u00e9volue le duo, on f\u00e9licite les artistes de “rendre transparent les m\u00e9canismes de la donn\u00e9e d\u2019IA et de proposer de nouvelles perspectives pour que les artistes puissent esp\u00e9rer construire de nouvelles \u00e9conomies autour de leurs donn\u00e9es”, rapporte-t-il. D\u2019autres communaut\u00e9s, en particulier celle de l\u2019illustration commerciale ou celle de l\u2019art conceptuel, ont \u00e9t\u00e9 plut\u00f4t critiques. “Leur position est de dire que tous les mod\u00e8les d\u2019IA auraient d\u00fb \u00eatre bas\u00e9s sur le choix depuis le d\u00e9but et iels pensent que notre approche pragmatique ne va pas assez loin. Sur le principe, je suis d\u2019accord avec elleux, pose l\u2019artiste. Je pense qu\u2019avec le temps, on comprendra que nous voulons toustes la m\u00eame chose.”<\/p>\n\n\n\n

Loin des d\u00e9bats enflamm\u00e9s sur la place des artistes dans la soci\u00e9t\u00e9 et leur potentiel remplacement ou non par des algorithmes, le duo reste concentr\u00e9. “Je pense que le d\u00e9bat “IA contre artistes” a pris de l’importance, en grande partie parce qu’il est le plus dramatique et qu’il se pr\u00eate au genre de tribalisme simple et d\u2019alarmisme qui prosp\u00e8re en ligne. Ces d\u00e9bats trop simplistes sont devenus une nouvelle forme de divertissement, mais je me concentre davantage sur la cr\u00e9ation de moyens permettant aux artistes de gagner leur vie et d’exp\u00e9rimenter de nouveaux types d’art et de relations dans un monde o\u00f9 l’IA joue un r\u00f4le de plus en plus important. Le d\u00e9veloppement de l’IA va devenir de plus en plus fou et \u00e9trange au cours des prochaines ann\u00e9es, et je contrebalance mon int\u00e9r\u00eat pour cette question par un engagement \u00e0 bien faire les choses pour les personnes dont les donn\u00e9es influenceront cela.”<\/p>\n","protected":false},"excerpt":{"rendered":"

On connaissait “Have I been pwned“, un moteur de recherche qui permet de savoir si son adresse email a \u00e9t\u00e9 corrompue. Voici “Have I been trained”, un moteur mis en place par le duo d\u2019artistes Holly Herndon et Mathew Dryhurst et qui propose aux artistes de rechercher \u2013 via texte ou image – si leur […]<\/p>\n","protected":false},"author":6,"featured_media":5780,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wds_primary_category":0,"wds_primary_type_article":0,"footnotes":""},"categories":[109,100],"tags":[126,155],"type_article":[56],"class_list":["post-6033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-en","category-technology","tag-ai","tag-technologie-en","type_article-article-en"],"acf":[],"yoast_head":"\n\u2018Have I been trained\u2019, or consent to AIs - kingkong<\/title>\n<meta name=\"description\" content=\""Have I been trained" asks artists to investigate whether their work has been used to train artificial intelligences.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Have I been trained,\u2019 or consent to AIs\" \/>\n<meta property=\"og:description\" content=\""Have I been trained" asks artists to investigate whether their work has been used to train artificial intelligences.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\" \/>\n<meta property=\"og:site_name\" content=\"kingkong\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kingkong.be\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-28T09:27:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-13T09:49:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/02\/unnamed.png\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"471\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Elsa Ferreira\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"\u2018Have I been trained,\u2019 or consent to AIs\" \/>\n<meta name=\"twitter:description\" content=\"Have I been trained" asks artists to investigate whether their work has been used to train artificial intelligences.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/02\/unnamed.png\" \/>\n<meta name=\"twitter:creator\" content=\"@_ElsaFerreira_\" \/>\n<meta name=\"twitter:site\" content=\"@kingkong_kikk\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elsa Ferreira\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\"},\"author\":{\"name\":\"Elsa Ferreira\",\"@id\":\"https:\/\/kingkong-mag.com\/#\/schema\/person\/922e790266508d2f4d7619f9ddf9bcc0\"},\"headline\":\"\u2018Have I been trained\u2019, or consent to AIs\",\"datePublished\":\"2023-02-28T09:27:24+00:00\",\"dateModified\":\"2023-03-13T09:49:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\"},\"wordCount\":1033,\"publisher\":{\"@id\":\"https:\/\/kingkong-mag.com\/#organization\"},\"keywords\":[\"AI\",\"Technologie\"],\"articleSection\":[\"Digital\",\"Technology\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\",\"url\":\"https:\/\/kingkong-mag.com\/en\/have-i-been-trained-ou-le-consentement-aux-ia\/\",\"name\":\"\u2018Have I been trained\u2019, or consent to AIs - 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