{"id":4702,"date":"2023-01-26T09:54:58","date_gmt":"2023-01-26T08:54:58","guid":{"rendered":"https:\/\/kingkong-mag.com\/ariane-loze\/"},"modified":"2023-02-22T12:17:08","modified_gmt":"2023-02-22T11:17:08","slug":"ariane-loze","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/ariane-loze\/","title":{"rendered":"Ariane Loze, theatrical videographer"},"content":{"rendered":"

\r\nAriane Loze\u2019s name appeared on the contemporary art scene through her realist videos, which stand out for the quirkiness of their mood. Her most recent works to date interrogate algorithms, the way they function and their omnipresence in our daily lives. \r\n<\/p>\n\n\n

Since 2008, Ariane<\/a>, Brussels born and an inhabitant of the city, has been foregrounding the defining features of our society in her performance videos. Her short films lead us into her universe of shot and counter-shot, one she excels at knowing inside out. The artist plays the roles of all the characters in her scenarios on her own. She takes this further still, assuming the roles of scriptwriter, producer, then director, and finally editor. The only stage where she seeks a helping hand is post-production. Working in this way, she maintains total creative freedom, even if the workload is substantial. \u2018It\u2019s also because I was on my own with just my camera that I\u2019ve been given access to numerous sites,\u2019 she explains, having been given free rein in 2018 to produce a video in the Citro\u00ebn garage which has since been transformed into the KANAL-Centre Pompidou.<\/p>\n\n\n\n

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Une publication partag\u00e9e par Ariane Loze (@arianeloze)<\/a><\/p><\/div><\/blockquote>