{"id":14465,"date":"2024-04-09T11:09:24","date_gmt":"2024-04-09T09:09:24","guid":{"rendered":"https:\/\/kingkong-mag.com\/?p=14465"},"modified":"2024-04-30T11:45:03","modified_gmt":"2024-04-30T09:45:03","slug":"wallonia-sxsw","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/wallonia-sxsw\/","title":{"rendered":"Wallonia at SXSW: being inspired, networking and understanding future trends"},"content":{"rendered":"<p class=\"lead\">\r\nSouth by Southwest (SXSW) took place from March 8 to 16, in Austin, Texas. A festival of music, cinema and emerging technologies, first held in 1987 and considered the largest digital, innovation and creativity gathering in the world. This year, 17 Walloon organisations were in attendance. Why is it so vital to take part in it? What are they hoping to gain? And in what frame of mind do they return to Belgium? We put these questions to them between two talks\/receptions\/networking sessions.\n\r\n<\/p>\n\n\n<p><a href=\"https:\/\/www.sxsw.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">SXSW<\/a>, four letters we often heard mentioned at kingkong. An event we had been told was THE most important digital, innovation and creativity gathering.<strong> <\/strong>An event which professionals the world over would not miss for any reason. And they weren\u2019t lying. SXSW is much like the United States itself: immense! This year, with kingkong, we were lucky enough to travel there as part of the Walloon delegation, with the whole trip being arranged by the Walloon Export and Foreign Investment Agency (<a href=\"https:\/\/www.awex.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">AWEX<\/a>) and <a href=\"https:\/\/wbi.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">WBI<\/a> (Wallonie Bruxelles International). We were inspired, we made discoveries, we networked and\u2026 in a word, we were totally mind-blown. But we will explore that aspect in another article.<\/p>\n\n\n\n<p>In total, 17 Walloon organisations flew away to Austin, Texas, starting from March 7. On March 8, the first arrivals met up at the Mort Subite, Austin\u2019s Belgian Bar. All wearing the <a href=\"https:\/\/galaxy.kikk.be\/fr\/projets\/wake\" target=\"_blank\" rel=\"noreferrer noopener\">wake! (By Digital Wallonia)<\/a> baseball caps. A brand-new label which represents the creative community in Wallonia. An initiative driven by the <a href=\"https:\/\/galaxy.kikk.be\/fr\/home\/\" target=\"_blank\" rel=\"noreferrer noopener\">KIKK<\/a> non-profit association, within the remit of one of its missions.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/sxsw_1.jpg\" alt=\"\" class=\"wp-image-14447\"\/><\/figure>\n\n\n\n<p>Entrepreneurs, project owners, researchers, academics discuss and share the reasons for their presence in Austin. \u2018To get inspired,\u2019 is the immediate response offered by <a href=\"https:\/\/www.linkedin.com\/in\/alexandragerard\/\" target=\"_blank\" rel=\"noreferrer noopener\">Alexandra G\u00e9rard<\/a>, managing director of <a href=\"https:\/\/stereopsia.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Stereopsia<\/a>, the premier avant-garde XR event in Europe. \u2018I am here for XR: the experiences, the talks, the pitches, and the people. It\u2019s the place to be to meet the international XR community. I am aiming to boost Stereopsia\u2019s visibility. This Walloon delegation context is important as well, not solely for the financial support, but for the close contact which gives us a week of communal life together.\u2019 \u2018We are stronger when we are all together in terms of brand and representation\u2019, confirms <a href=\"https:\/\/lagrandposte.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">H\u00e9loise Devaux<\/a>, business development director at <a href=\"https:\/\/lagrandposte.be\/\">La Grand Poste<\/a>. Even more so when we are part of the wake! label. Being all together, being supported by the AWEX and the WBI, makes us stronger than if we had each turned up as a small organisation independent of one another.\u2019<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>The importance of the network<\/strong><\/strong><\/h3>\n\n\n\n<p>It is the second time that H\u00e9loise Devaux is taking part in SXSW. Her objective? To get La Grand Poste talked about internationally. \u2018My aim is for it to become an unmissable site when people come to Belgium. I also want to go and meet other creative hubs and incubators. Amongst these valuable contacts, H\u00e9loise cites <a href=\"https:\/\/www.linkedin.com\/in\/jeanne-dorelli-35532512\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jeanne Dorelli<\/a>, Senior Director for Strategy and Operations at <a href=\"https:\/\/zumtl.com\/fr\/mission\/\" target=\"_blank\" rel=\"noreferrer noopener\">Z\u00fa<\/a>. This Quebec incubation programme supports and propels entrepreneurs who use technology to revolutionise the creative industries, in generating innovative projects and world class intellectual properties. \u2018We got in touch last year, and we bumped into each other by chance at the Belgian drinks reception. It means we can share our experiences and offer facilities to the startups we support, even if La Grand Poste is a meta-incubator.\u2019<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"14449\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/swsx_4.jpg\" alt=\"\" class=\"wp-image-14449\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"14450\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/sxsw_2.jpg\" alt=\"\" class=\"wp-image-14450\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"14453\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/sxsw_3.jpg\" alt=\"\" class=\"wp-image-14453\"\/><\/figure>\n<\/figure>\n\n\n\n<p>The network. Everyone agrees, it\u2019s the most important aspect. After only 48 hours of attendance, <a href=\"https:\/\/www.linkedin.com\/in\/geromevanherf\/\" target=\"_blank\" rel=\"noreferrer noopener\">G\u00e9r\u00f4me Vanherf<\/a>, Director of La Grand Poste, considers that he could go back to Belgium. \u2018I could return already and I would have everything I wished for. It\u2019s not only a question of meeting new people, but of maintaining the connections, spending a few nice moments with the people we know and who we might only meet once a year.\u2019 It was on returning from its first visit to SXSW in 2017 that <a href=\"https:\/\/walliforniamusictech.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Wallifornia Music Tech<\/a> was created, a music and technologies innovation programme developed in partnership with <a href=\"https:\/\/www.leansquare.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">LeanSquare<\/a>, <a href=\"https:\/\/lesardentes.be\/?lng=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Les Ardentes<\/a>, the <a href=\"https:\/\/theatredeliege.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">Th\u00e9\u00e2tre de Li\u00e8ge<\/a> and the <a href=\"https:\/\/galaxy.kikk.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">KIKK festival<\/a>, whose objective is to make Belgium a touchstone in terms of innovation in the music industry. \u2018The impression I have regarding my fourth participation in SXSW is very positive. I can see, in all humility, that the Wallifornia brand is functioning very well on an international level. We really maintain very strong links with Austin and the whole delegation attending this event. That also means we can come and meet startups, discover the innovations, see what is going on. And above all to attract speakers, investors, entrepreneurs to our conference and our accelerator, held each year in Li\u00e8ge.\u2019 The next edition will take place from July 9 to 11.<\/p>\n\n\n\n<p>The Li\u00e8ge creative sector is widely represented at SXSW. <a href=\"https:\/\/www.linkedin.com\/in\/coraliedoyen\/\" target=\"_blank\" rel=\"noreferrer noopener\">Coralie Doyen<\/a>, Program &amp; Partnership Leader at <a href=\"https:\/\/noshaq.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">Noshaq<\/a>, is also attending. Her aim here, curating the Wallifornia Music Tech. \u2018For me, who creates programmes, puts in place conferences, events, it\u2019s exactly what I need. I would love to meet people working in the music industry in the Latin countries, South America or Africa. I have come here with that focus in mind and I hope to leave with several key avenues and profiles.\u2019<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/C4azYYAOjTB\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/C4azYYAOjTB\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Voir cette publication sur Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/C4azYYAOjTB\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\" rel=\"noopener\">Une publication partag\u00e9e par kingkong (@kingkong.kikk)<\/a><\/p><\/div><\/blockquote> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p>Curation in terms of content and speakers is also the reason <a href=\"https:\/\/www.linkedin.com\/in\/gillesbazelaire\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gilles Bazelaire<\/a>, Director of the KIKK non-profit association, regularly beats a path to SXSW. \u2018At KIKK we are used to going to look for content almost everywhere around the world. We always set out on the principle that we are trying to bring back the immediacy of the digital creativity planet. And to do so, we need to travel and bring the best content available in the United States, in Africa, in France, in Belgium\u2026 to Namur.\u2019 Gilles Bazelaire is focused on two of the central planks of the KIKK Festival \u2013 whose next edition will be held from October 24 to 27 \u2013 the Market and foreign delegations. \u2018We are meeting quite a lot of the ecosystems present here, that\u2019s the advantage of SXSW. I have discovered a Japanese startup I absolutely want to bring to KIKK. It has developed a prototype of what is called haptics, which allows you to feel virtual reality. At the moment, you have to use headsets, gloves, equipment. With the technology this startup has got, it is felt directly on the body, with no apparatus. It\u2019s quite incredible.\u2019<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>In and of itself, it remains a momentum in which you can meet the digital planet in a very short space of time<\/p>\n<cite>Gilles Bazelaire, President of the KIKK Festival<\/cite><\/blockquote>\n\n\n\n<p>Despite the age of SXSW, the event remains unmissable in the opinion of Gilles Bazelaire \u2018in terms of the quantity and the quality of the people present. I find that the festival is getting dispersed quite a bit and it\u2019s getting difficult to read [Editor\u2019s note: we explore this subject in our article on the 2024 trends at the SXSW]. You really have to prepare your mission thoroughly to make sure that you are in the right place at the right time, which is not always easy to do given the enormous mass of content. But, in and of itself, it remains a momentum in which you can meet the digital planet in a very short space of time.\u2019<\/p>\n\n\n\n<p>Meeting so many people who share the same passion for the digital arts milieu in so little time is what <a href=\"https:\/\/www.linkedin.com\/in\/gwena%C3%ABlle-gruselle-6560b4110\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gwena\u00eblle Gruselle<\/a>, international business developer at <a href=\"https:\/\/www.dirtymonitor.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dirty Monitor<\/a>, likes the most about it. Dirty Monitor is a Belgian creative studio established in 2004, a pioneer in the domain of the design and production of content for video mapping and various audiovisual productions. Based in California for two months to develop the American market, Gwena\u00eblle has seized the opportunity to meet the Walloon delegation in Austin. All the more so in that Dirty Monitor presented two video mapping shows in California as recently as last December, Let\u2019s Glow (which hosted around 67,000 visitors) in San Francisco and then the New Year countdown at the City Hall in Los Angeles. \u2018It\u2019s my first experience so I\u2019m more in an exploratory mindset, to discover what you might get out of this type of event. For a start, it lets me connect with local partners for possible developments in Texas or in Austin, and also to meet other digital arts studios and to reconnect with the Walloon creative and cultural industry network.\u2019<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"4284\" height=\"5712\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8177.png\" alt=\"\" class=\"wp-image-14457\" srcset=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8177.png 4284w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8177-1152x1536.png 1152w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8177-1536x2048.png 1536w\" sizes=\"(max-width: 4284px) 100vw, 4284px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"4284\" height=\"5712\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8173.png\" alt=\"\" class=\"wp-image-14459\" srcset=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8173.png 4284w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8173-1152x1536.png 1152w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8173-1536x2048.png 1536w\" sizes=\"(max-width: 4284px) 100vw, 4284px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"3024\" height=\"4032\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8184.png\" alt=\"\" class=\"wp-image-14461\" srcset=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8184.png 3024w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8184-1152x1536.png 1152w, https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/IMG_8184-1536x2048.png 1536w\" sizes=\"(max-width: 3024px) 100vw, 3024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>As part of this Walloon CCI network there was also <a href=\"https:\/\/www.linkedin.com\/in\/s%C3%A9bastien-resier-30a70722\/\" target=\"_blank\" rel=\"noreferrer noopener\">S\u00e9bastien Resier<\/a>, CEO of <a href=\"https:\/\/www.arduinnasilva.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Arduinna Silva Studio<\/a>. If he is in Austin, it is first and foremost to introduce himself to people. \u2018We\u2019ve had our nose to the grindstone for a long time. We\u2019ve little by little started to emerge from our garage at Stereopsia. Since then we\u2019ve been trying to take part in more events, to network and communicate more.\u2019 What is his main impression of this experience? \u2018Wallonia can hold its head high at the technological level. It\u2019s quite interesting to make a benchmark of the market, to see what is happening in other countries and to see if there is room for our products. In the United States, I have discovered things I never would have thought of. Here, they dare much more than in Europe. I am therefore returning to Belgium with quite a lot of discoveries, new ideas and things I wish to take further and move forward.\u2019<\/p>\n\n\n\n<p><a href=\"https:\/\/davanac.team\/\" target=\"_blank\" rel=\"noreferrer noopener\">Damien Van Achter<\/a>, a freelance consultant in the domains of media, education and entrepreneurship, is also returning with his head crammed full of ideas. And above all confirmations. \u2018I\u2019ve been ticking off little checklists alongside intuitions I have built up over the year about technologies, the dynamics, the products, the services one might come up with, to make them available to my customers or use them myself. I\u2019m spending a large amount of my time monitoring technological developments. But from Belgium, our little corner of Europe, it\u2019s difficult to get a macro view and to be able to confirm or disconfirm.\u2019<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Belgium has to be more daring<\/strong><\/strong><\/h3>\n\n\n\n<p>Is Belgium, and Wallonia, too timid? That is what also the general impression for other people within the delegation. \u2018I am in Austin to get inspired,\u2019 confides <a href=\"https:\/\/www.linkedin.com\/in\/sebastien-nahon-a64bb82\/\" target=\"_blank\" rel=\"noreferrer noopener\">S\u00e9bastien Nahon<\/a>, Director of <a href=\"https:\/\/uclouvain.be\/fr\/instituts-recherche\/ilc\/miil\" target=\"_blank\" rel=\"noreferrer noopener\">MIIL<\/a>, a media innovation laboratory at UCLouvain, specializing in immersive technologies. \u2018And what I sense is that, first off, our intuitions are good. And, secondly, we need to stop being the small-time player in Belgium. We must stop saying that we do things badly. We are sometimes generally above what others are doing and we don\u2019t have the daring.\u2019 According to S\u00e9bastien, the Belgians have a genuine inferiority complex. \u2018At the same time, I don\u2019t want us to lose it because that makes us authentic. We need to maintain this humility, from which comes our strength, but we have to identify what we are good at and highlight it.\u2019 As is the case on each of his SXSW participations, S\u00e9bastien is returning boosted. \u2018But I\u2019m a big kid and I am in my playground. And at the same time, the tipping point concerning immersive technologies is now, as I felt was the case. We missed the train for the web, the same goes for AI, but on this, in Belgium, we are not missing the XR train. For me, it\u2019s the highest form of recognition. We just saw the whole thing very early, both in terms of the actors in the ecosystems and in the works produced, the investors and the public representatives. And that is priceless.\u2019<\/p>\n\n\n\n<p>An opinion shared by his associate <a href=\"https:\/\/www.linkedin.com\/in\/salvatore-bordonaro-b87a42293\/\" target=\"_blank\" rel=\"noreferrer noopener\">Salvatore Bordonaro<\/a>, Immersive Designer and project leader at MiiL. \u2018I have the impression that the Belgians are extremely timid. They don\u2019t dare, they stay in their corner. They are intimidated by what is being done externally, when they shouldn\u2019t be.\u2019 What Belgium is also missing are, in his opinion, the financial means. \u2018We would go a lot further and a lot quicker. I am returning to Belgium saying to myself that we are very good and it\u2019s time to let people know that we are.\u2019<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Wallonia is not lagging behind<\/p>\n<cite>Pierre Collin, executive manager of TWIST<\/cite><\/blockquote>\n\n\n\n<p>The means are what Pierre Collin, executive manager at <a href=\"https:\/\/www.twist-cluster.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">TWIST<\/a>, also talks about in his assessment. \u2018In two\/three days, I have completely changed my tune. I started from the principle that it would be difficult to develop French-speaking Belgian content on the basis of the funding we have in our country. Now, I have understood that, thanks to generative artificial intelligence, we will be able to internationalise our culture more, develop an industry and do a great many things. Wallonia is not lagging behind and it\u2019s now that we have to make the right decisions to move forward, that we have to position ourselves in the right ecosystems and find the right partners.\u2019<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/C4XQ4QFuurk\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/C4XQ4QFuurk\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Voir cette publication sur Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/C4XQ4QFuurk\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\" rel=\"noopener\">Une publication partag\u00e9e par kingkong (@kingkong.kikk)<\/a><\/p><\/div><\/blockquote> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p>Finding partners is one of the reasons why <a href=\"https:\/\/www.linkedin.com\/in\/xavier-p%C3%A9ters\/\" target=\"_blank\" rel=\"noreferrer noopener\">Xavier P\u00e9ters<\/a>, CEO at <a href=\"https:\/\/www.leansquare.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">Leansquare<\/a> (an investment fund based in Li\u00e8ge and which is part of the Noshaq group) is at SXSW. \u2018This event is vital for an investor in music like us and which has, in addition, created an acceleration programme in the tech music market. We can see as the years go by that we are more and more integrated and recognised.\u2019 Xavier, like Coralie Doyen last year, moreover chaired a panel during this 2024 edition. \u2018It\u2019s always very tiring given that we are not here for a long time, but it lets our partners see that we are present during their programme and they can come to ours. That creates, develops and strengthens the connection and the ecosystem. Then, it\u2019s unmissable because you meet new people. We try to arrange meetings with corporates, investors, that we don\u2019t have the opportunity to see outside SXSW. Over a beer, a glass of something, a concert, you can meet the CEO of Deezer, Universal, whilst you would have a lot of problems doing so through an email via LinkedIn. These people are like us, in a more festive frame of mind, cooler, more relaxed, whilst discussing business at the same time.\u2019<\/p>\n\n\n\n<p>And as for the most beautiful encounter of this edition of SXSW, it is without a doubt the one between Coralien Doyen and <a href=\"https:\/\/www.estherperel.com\/about\" target=\"_blank\" rel=\"noreferrer noopener\">Esther Perel<\/a>, a podcaster and psychologist of Belgian origin. \u2018I\u2019ve been listening to her for years and she was giving a talk at SXSW. I hadn\u2019t noticed that she was on the lineup [<em>did we mention that the programme was pretty intense?<\/em>]. We bumped into each other by chance at a Belgian event and had a long chat together. It was a beautiful and fruitful meeting.\u2019 A moment which once again demonstrates the richness of an event on such a scale, both professionally and\u2026 personally.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SXSW, four letters we often heard mentioned at kingkong. An event we had been told was THE most important digital, innovation and creativity gathering. An event which professionals the world over would not miss for any reason. And they weren\u2019t lying. SXSW is much like the United States itself: immense! This year, with kingkong, we [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wds_primary_category":0,"wds_primary_type_article":0,"footnotes":""},"categories":[109],"tags":[],"type_article":[142],"class_list":["post-14465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-en","type_article-cover-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wallonia at SXSW: being inspired, networking and understanding future trends - kingkong<\/title>\n<meta name=\"description\" content=\"South by Southwest (SXSW) took place from March 8 to 16, in Austin, Texas. A festival of music, cinema and emerging technologies, first held in 1987 and considered the largest digital, innovation and creativity gathering in the world. This year, 17 Walloon organisations were in attendance. Why is it so vital to take part in it? What are they hoping to gain? And in what frame of mind do they return to Belgium? We put these questions to them between two talks\/receptions\/networking sessions.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kingkong-mag.com\/wallonie-sxsw\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wallonia at SXSW: being inspired, networking and understanding future trends\" \/>\n<meta property=\"og:description\" content=\"South by Southwest (SXSW) took place from March 8 to 16, in Austin, Texas. A festival of music, cinema and emerging technologies, first held in 1987 and considered the largest digital, innovation and creativity gathering in the world. This year, 17 Walloon organisations were in attendance. Why is it so vital to take part in it? What are they hoping to gain? And in what frame of mind do they return to Belgium? 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