{"id":14345,"date":"2024-04-03T16:12:46","date_gmt":"2024-04-03T14:12:46","guid":{"rendered":"https:\/\/kingkong-mag.com\/?p=14345"},"modified":"2024-05-28T15:12:04","modified_gmt":"2024-05-28T13:12:04","slug":"nova_xx","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/nova_xx\/","title":{"rendered":"NOVA_XX Biennale: non-binarism enables the exploration of new artistic territories"},"content":{"rendered":"

\r\nFrom February 16 to April 27, 2024, in Paris, Marseille and Aix-en-Provence, the NOVA_XX Biennale is being held, dedicated to artistic, scientific and technological entanglement in female and non-binary mode, and in the light of the fourth industrial revolution \/ 4.0. A step aside to reflect, face-to-face with a tour de force digital art, which invites explorations of artworks-universes. \n\r\n<\/p>\n\n\n

This article is a republication. The original is published on kingkong’s partner HACNUMedia<\/a> (the media that explores the links between technology and creation).<\/em><\/strong><\/p>\n\n\n\n

By dint of attending digital art exhibitions, St\u00e9phanie P\u00e9court has had to bow to the inevitable, and accept what was staring her in the face: at these events she was often seeing the same types of artist profiles and the same types of artwork. \u2018There was an absence of women creators, but also of a topography of works which are in addition essentially borne by women artists-researchers<\/em>,\u2019 she observes. From this sprang the urgency of creating NOVA_XX, a biennale dedicated to artistic, scientific and technological entanglement in female and non-binary mode, and in the light of the fourth industrial revolution \/ 4.0.<\/p>\n\n\n\n

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Une publication partag\u00e9e par NOVA_XX (@biennalenova_xx)<\/a><\/p><\/div><\/blockquote>