{"id":10291,"date":"2023-08-11T16:14:00","date_gmt":"2023-08-11T14:14:00","guid":{"rendered":"https:\/\/kingkong-mag.com\/?p=10291"},"modified":"2023-08-22T11:40:50","modified_gmt":"2023-08-22T09:40:50","slug":"weekly-11-08-23","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/weekly-11-08-23\/","title":{"rendered":"Weekly \u203b Friday 11.08.23"},"content":{"rendered":"

\r\nFriday is weekly: a digest of what the team has seen, read and listened to and wants to share with you.\r\n<\/p>\n\n\n

Refik Anadol, the Turkish-American artist exploring what a human being is in the AI era<\/strong><\/h3>\n\n\n\n

On the networks, digital art buffs are queuing up for his creations. Refik Anadol<\/a> is an artist like no other, fascinated as he is by the creative capacity of machines. His thing? Transforming digital data into shape-shifting installations for international clients. A pioneer of the aesthetics of AI, we were recently blown away by the awe-inspiring beauty of one of his works on display at the MoMA.<\/p>\n\n\n\n

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Voir cette publication sur Instagram<\/div><\/div>
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Une publication partag\u00e9e par Refik Anadol (@refikanadol)<\/a><\/p><\/div><\/blockquote>