{"id":10023,"date":"2023-07-25T11:03:46","date_gmt":"2023-07-25T09:03:46","guid":{"rendered":"https:\/\/kingkong-mag.com\/les-slasheuses-2\/"},"modified":"2023-08-02T10:27:12","modified_gmt":"2023-08-02T08:27:12","slug":"les-slasheuses-2","status":"publish","type":"post","link":"https:\/\/kingkong-mag.com\/en\/les-slasheuses-2\/","title":{"rendered":"Les slasheuses #2: when Instagram becomes a comic book"},"content":{"rendered":"<p class=\"lead\">\r\nWe introduced you to them several months ago, \u2018les.slasheuses\u2019; this Instagram account compiling the illustrated adventures of two somewhat disillusioned freelancers is today available in paper format. This gleaming yellow, 88 page self-published album, proudly taking centre stage in the window displays of several Brussels bookstores, brings together a year of Instagrammed wild imaginings.\n\r\n<\/p>\n\n\n<p>You might remember that at the end of 2021 they launched their<a href=\"https:\/\/www.instagram.com\/les.slasheuses\/\"> Instagram <\/a><a href=\"https:\/\/www.instagram.com\/les.slasheuses\/\" target=\"_blank\" rel=\"noreferrer noopener\">account<\/a>, repurposing the notion of \u2018slasher\u2019 to reveal what lies behind it: their daily lives as aimless freelancers. Each week for a full year, <a href=\"https:\/\/kingkong-mag.com\/en\/les-slasheuses\/\" target=\"_blank\" rel=\"noreferrer noopener\">Camille Toussaint and Caroline Renaudi\u00e8re<\/a> posted their quirky anecdotes, in a style mixing pencilled illustrations and acidic-absurdist texts, bringing a real-life touch to a term which has been slightly worn out by the devotees of start-up nation and inspirational hashtags.<\/p>\n\n\n\n<p>Whilst the idea of developing a printed companion to their digital project had been on the duo\u2019s minds for some time, the entirely self-published album finally came out last June. The opportunity for these two autodidacts to discover the specifics of transitioning from the screen to paper.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"650\" height=\"650\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/07\/IMG_7808.webp\" alt=\"\" class=\"wp-image-10000\"\/><figcaption class=\"wp-element-caption\">\u00a9 Les slasheuses &#8211; Caroline Renaudi\u00e8re and Camille Toussaint<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Create your own comic book in 1234 steps<\/strong><\/h3>\n\n\n\n<p><em><em>Rythm and structure<\/em><\/em><\/p>\n\n\n\n<p>As Caroline, the project\u2019s scriptwriter, emphasises, whereas an account uploaded to the networks is constructed as and when the publications come out, each one posted independently of the others, a book is read in one sitting. A first task was therefore to create a narrative arc, then bring some coherence and rhythm to the tale: \u2018we printed and then cut up all the publications, separated the images from the texts, and spent several days reorganising all the elements between them, as a means of getting a basis, an outline,\u2019 explains Camille. \u2018It was an extremely interesting exercise, a genuine first stage in the publishing process.\u2019 The duo therefore ended up with a structure which suited them, and an initial trial print followed some time afterwards. A much-awaited first version, but which unfortunately proved not really, even really not, convincing.<\/p>\n\n\n\n<p>\u2018We had settled for working on the order and the structure, which made sense, but not on the rest. For example, we had simply cut-and-pasted the texts alongside the drawings, without any real graphic work or page layout. And let\u2019s be honest, it was awful and unclear.\u2019 This first attempt thus ended up on the scrapheap, but the duo nevertheless retained its structure (as well as a slightly bitter taste, but let\u2019s not dwell on that).<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CmO8shqNETz\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/CmO8shqNETz\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Voir cette publication sur Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/CmO8shqNETz\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\" rel=\"noopener\">Une publication partag\u00e9e par Les slasheuses (@les.slasheuses)<\/a><\/p><\/div><\/blockquote> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p><em>Written texts vs clicked texts<\/em><\/p>\n\n\n\n<p>Whilst the drawings underwent no transformations expect for some technical resolution modifications (which, incidentally, led to scores of hair-tearing sessions for Camille, who had not <em>a priori<\/em> intended the illustrations to be printed), the texts were subjected to a rewriting work. Because, as Caroline notes, you don\u2019t read a book, be it a comic book and humorous, in the same way as you read Instagram: \u2018On Insta, the writing and therefore the reading is a lot freer, more direct. When I reread certain of my texts once they were printed, I sometimes no longer understood myself. I therefore rewrote, shortened, changed the punctuation, the structures, to match it all up with the physical format.\u2019 If, as we are, you were particularly a fan of the online texts, be reassured, the printed version is well up to standard.<\/p>\n\n\n\n<p><em>Drawn fonts<\/em><\/p>\n\n\n\n<p>The drawings of the slashers stand out for their pretty simple, rapidly sketched style. If this slightly rough draft aspect was initially justified by practices specific to online publication (as Camille explained <a href=\"https:\/\/kingkong-mag.com\/les-slasheuses\/\" target=\"_blank\" rel=\"noreferrer noopener\">last January<\/a>), this \u2018handmade\u2019 aspect in reality progressively established itself as a constituent element of the account, providing it with its identity.<\/p>\n\n\n\n<p>It was in the end, precisely, in choosing to rewrite all the texts by hand and livening them up with a few winks and other drawn layout features, that the duo succeeded in giving the album its graphic coherence. This pencilled typography, deliberately uneven and imperfect, manages to pretty fluidly bind the texts and the drawings, a real plus-value provided by the printed object in comparison with the digital project.<\/p>\n\n\n\n<p>The result is a coherent album, well-constructed, and in which we find the human, witty and unpretentious aspects which particularly pleased us online.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"650\" height=\"905\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/07\/6-72.webp\" alt=\"\" class=\"wp-image-10011\"\/><figcaption class=\"wp-element-caption\">\u00a9 Les slasheuses &#8211; Caroline Renaudi\u00e8re and Camille Toussaint<\/figcaption><\/figure>\n\n\n\n<p><em>Deposited in bookstores<\/em><\/p>\n\n\n\n<p>Printed in successive batches of 50 and then 100 \u2013 and re-100 \u2013 copies, the book was at first sold at events taking place here and there dedicated to illustration or micro-publishing, where it met with its first success. It was then (shyly) presented to several independent bookstores, which were for the most part enthusiastic about the project and added to their shelves a few books taken on deposit. \u2018It was an amazing experience to see our book in the bookstores we love, in which we buy our own comic books,\u2019 emphasises Camille. \u2018Bookstores don\u2019t take many risks, given that they simply place them on deposit and that sometimes they only take two or three, but for us it was all the same a little seal of approval.\u2019<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>I<strong>Instagram, a pixelized springboard<\/strong><\/strong><\/h3>\n\n\n\n<p>Making a name for yourself on the networks and then rolling out your activity on the classical channels has become common practice in recent years, in all of the creative fields. \u2018Nowadays, it no longer appears bizarre for bookstore customers that certain books come from Instagram,\u2019 notes Camille. In terms of comic books, she in particular cites authors such as<a href=\"https:\/\/www.instagram.com\/salomelahoche\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Salom\u00e9 Lahoche<\/a> and <a href=\"https:\/\/www.instagram.com\/zinzin_nsc\/\" target=\"_blank\" rel=\"noreferrer noopener\">Caroline Nasica<\/a>, whose albums \u2018La vie est une corv\u00e9e\u2019 and \u2018Caro et les zinzins\u2019 are printed versions of Instagram projects which have attracted lots of attention. The online prominence of these two female authors, with large followings on the networks, was particularly decisive in the publishing process of their respective books, achieved via participatory funding campaigns.&nbsp;<\/p>\n\n\n\n<p>Whilst the slashers are far from reaching the same audience as these illustration influencers, the duo\u2019s comic book would also never have seen the light of day without their online presence and the community they have created. \u2018When the time comes to launch the book object, it is enormously helpful,\u2019 emphasises Caroline. \u2018For starters, that allows you to have a base of people to receive and pass on information. But there is also a legitimacy aspect: the audience has been able to follow our work beforehand and knows that we haven\u2019t come from nowhere, that there is quite a professional project behind it all.\u2019<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"650\" height=\"646\" src=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/07\/IMG_7809.webp\" alt=\"\" class=\"wp-image-10007\"\/><figcaption class=\"wp-element-caption\">\u00a9 Les slasheuses &#8211; Caroline Renaudi\u00e8re and Camille Toussaint<\/figcaption><\/figure>\n\n\n\n<p>The thereby completed project also serves as a calling card for the duo in terms of more ambitious projects. \u2018We haven\u2019t abandoned the idea of creating a comic book with a longer and more developed scenario, even though we are fully aware that it is a very different task to posting something amusing each week.\u2019 The next stage is situated midway between the two approaches: continuing the adventures of the slashers on Instagram, but in a more regular manner, each publication presenting itself as an episode in a longer story.<\/p>\n\n\n\n<p>So watch this space!<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>\u2018Les slasheuses,\u2019 by Caroline Renaudi\u00e8re and Camille Toussaint, is available in Brussels at<a href=\"https:\/\/peinture-fraiche.be\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Peinture Fra\u00eeche<\/a>,<a href=\"https:\/\/www.lesyeuxgourmands.be\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Les Yeux Gourmands<\/a>,<a href=\"https:\/\/editionsmeteores.com\/librairie\/\"> M\u00e9t\u00e9ores<\/a> and <a href=\"http:\/\/tulitu.eu\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tulitu<\/a>, and on the internet<a href=\"https:\/\/camilletoussaint.bigcartel.com\/product\/let-s-twist-again-rock-around-the-clock\" target=\"_blank\" rel=\"noreferrer noopener\"> over here<\/a>. A joyous album, which has little to envy its bookshelf colleagues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You might remember that at the end of 2021 they launched their Instagram account, repurposing the notion of \u2018slasher\u2019 to reveal what lies behind it: their daily lives as aimless freelancers. Each week for a full year, Camille Toussaint and Caroline Renaudi\u00e8re posted their quirky anecdotes, in a style mixing pencilled illustrations and acidic-absurdist texts, [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":10014,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wds_primary_category":0,"wds_primary_type_article":0,"footnotes":""},"categories":[99],"tags":[],"type_article":[56],"class_list":["post-10023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","type_article-article-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Les slasheuses #2: when Instagram becomes a comic book - kingkong<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les slasheuses #2: when Instagram becomes a comic book - kingkong\" \/>\n<meta property=\"og:description\" content=\"You might remember that at the end of 2021 they launched their Instagram account, repurposing the notion of \u2018slasher\u2019 to reveal what lies behind it: their daily lives as aimless freelancers. Each week for a full year, Camille Toussaint and Caroline Renaudi\u00e8re posted their quirky anecdotes, in a style mixing pencilled illustrations and acidic-absurdist texts, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\" \/>\n<meta property=\"og:site_name\" content=\"kingkong\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kingkong.be\" \/>\n<meta property=\"article:published_time\" content=\"2023-07-25T09:03:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-02T08:27:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2023\/07\/Les-Slasheuses-e1690269687968.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1253\" \/>\n\t<meta property=\"og:image:height\" content=\"481\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jil Theunissen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kingkong_kikk\" \/>\n<meta name=\"twitter:site\" content=\"@kingkong_kikk\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jil Theunissen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\"},\"author\":{\"name\":\"Jil Theunissen\",\"@id\":\"https:\/\/kingkong-mag.com\/#\/schema\/person\/7a3389c9a207f9d2586b94ca5483597a\"},\"headline\":\"Les slasheuses #2: when Instagram becomes a comic book\",\"datePublished\":\"2023-07-25T09:03:46+00:00\",\"dateModified\":\"2023-08-02T08:27:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\"},\"wordCount\":1190,\"publisher\":{\"@id\":\"https:\/\/kingkong-mag.com\/#organization\"},\"articleSection\":[\"Art\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\",\"url\":\"https:\/\/kingkong-mag.com\/les-slasheuses-2\/\",\"name\":\"Les slasheuses #2: when Instagram becomes a comic book - 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