{"version":"1.0","provider_name":"kingkong","provider_url":"https:\/\/kingkong-mag.com\/en\/","author_name":"Adrien Cornelissen","author_url":"https:\/\/kingkong-mag.com\/en\/author\/adrien-cornelissen\/","title":"Hovertone: the (digital) art of mediation!","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ap28pVYX5J\"><a href=\"https:\/\/kingkong-mag.com\/en\/hovertone\/\">Hovertone: the (digital) art of mediation!<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kingkong-mag.com\/en\/hovertone\/embed\/#?secret=ap28pVYX5J\" width=\"600\" height=\"338\" title=\"&#8220;Hovertone: the (digital) art of mediation!&#8221; &#8212; kingkong\" data-secret=\"ap28pVYX5J\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kingkong-mag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/04\/Shooting-by-Niki-2-e1714469718352.jpg","thumbnail_width":2560,"thumbnail_height":1207,"description":"Interactive installation, mapping, touch screens, etc. Cultural institutions and scientific culture centres are increasingly accessing digital mediation tools. And that is precisely what the Hovertone studio specialises in. Established in Mons, it has been imagining and designing digital experiences for different audiences since 2015. Nicolas d\u2019Alessandro, the studio\u2019s co-founder and artistic director, shares his vision of interactive design and reveals a few of the secrets to involving audiences and facilitating content delivery."}