{"version":"1.0","provider_name":"kingkong","provider_url":"https:\/\/kingkong-mag.com\/en\/","author_name":"Marie-Flore Pirmez","author_url":"https:\/\/kingkong-mag.com\/en\/author\/marie-flore-pirmez\/","title":"Giulia Vismara, electroacoustics as a sound space","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3GK6zNKBUD\"><a href=\"https:\/\/kingkong-mag.com\/en\/giulia-vismara\/\">Giulia Vismara, electroacoustics as a sound space<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kingkong-mag.com\/en\/giulia-vismara\/embed\/#?secret=3GK6zNKBUD\" width=\"600\" height=\"338\" title=\"&#8220;Giulia Vismara, electroacoustics as a sound space&#8221; &#8212; kingkong\" data-secret=\"3GK6zNKBUD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kingkong-mag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/03\/000017.jpg","thumbnail_width":1270,"thumbnail_height":876,"description":"An uncategorisable musical genre, electroacoustics first emerged in the 1950s. Any attempts to establish a definition, now and again too generic, sometimes too clear-cut, have been the source of heated debate amongst academics and practitioners. And yet, without it, our films and our theatre plays would not have the same pizzazz. Such is the argument the composer and researcher Giulia Vismara endeavours to outline in her artwork, which explores sound as a space."}