{"version":"1.0","provider_name":"kingkong","provider_url":"https:\/\/kingkong-mag.com\/en\/","author_name":"Adrien Cornelissen","author_url":"https:\/\/kingkong-mag.com\/en\/author\/adrien-cornelissen\/","title":"Emmanuel Van Der Auwera or the post-truth era","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dPJRe73EbG\"><a href=\"https:\/\/kingkong-mag.com\/en\/emmanuel-van-der-auwera\/\">Emmanuel Van Der Auwera or the post-truth era<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kingkong-mag.com\/en\/emmanuel-van-der-auwera\/embed\/#?secret=dPJRe73EbG\" width=\"600\" height=\"338\" title=\"&#8220;Emmanuel Van Der Auwera or the post-truth era&#8221; &#8212; kingkong\" data-secret=\"dPJRe73EbG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kingkong-mag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/kingkong-mag.com\/wp-content\/uploads\/2024\/05\/7-Emmanuel-Van-der-Auwera-VideoSculpture-XXV-Archons-2022-Installation-view-Emmanuel-Van-der-Auwera_Seeing-is-Revealing-2022-HEK-photo-Franz-Wamhof-e1715072154141.jpg","thumbnail_width":2400,"thumbnail_height":1020,"description":"An observer of the phenomena brought about by the digital revolution, the Belgian artist Emmanuel Van Der Auwera creates powerful works midway between fiction and documentary. Presented in the form of video installations and sculptures, they present a society toppling over into the era of post-truth, in which the production and distribution of images take concrete shape through sensitive subjects: teenagers filming their reactions as they watch snuff movies, young people announcing their imminent suicides on the social networks or online conspiracy movements\u2026"}