1.0kingkonghttps://kingkong-mag.com/en/Jil Theunissenhttps://kingkong-mag.com/en/author/jil-theunissen/When streaming floods European production: towards a cinema produced by business schools? rich600338<blockquote class="wp-embedded-content" data-secret="nRvZcn4pyp"><a href="https://kingkong-mag.com/en/streaming-european-production/">When streaming floods European production: towards a cinema produced by business schools? </a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://kingkong-mag.com/en/streaming-european-production/embed/#?secret=nRvZcn4pyp" width="600" height="338" title="“When streaming floods European production: towards a cinema produced by business schools? ” — kingkong" data-secret="nRvZcn4pyp" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://kingkong-mag.com/wp-content/uploads/2023/08/8.jpg22241668Outsiders to the European audiovisual landscape some ten years ago, streaming platforms are nowadays an integral part of the film and series industry. From initially being merely distribution media, these services have progressively become (co-)producers of original content, signing off on rising numbers of European ‘in-house’ creations. A sweeping change which has led to certain cinema professionals grinding their teeth.