1.0kingkonghttps://kingkong-mag.com/en/Adrien Cornelissenhttps://kingkong-mag.com/en/author/adrien-cornelissen/rich600338<blockquote class="wp-embedded-content" data-secret="a55U4cmb6S"><a href="https://kingkong-mag.com/en/belgium-immersive/">How does Belgium begin its shift towards immersive creation?</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://kingkong-mag.com/en/belgium-immersive/embed/#?secret=a55U4cmb6S" width="600" height="338" title="“How does Belgium begin its shift towards immersive creation?” — kingkong" data-secret="a55U4cmb6S" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://kingkong-mag.com/wp-includes/js/wp-embed.min.js </script> https://kingkong-mag.com/wp-content/uploads/2024/06/lichtfestival_1_credits_Stad-Gent.jpg20481365With growing global interest for immersive art, numerous initiatives have been undertaken in the domain of digital creation. The structuring of creative sectors nevertheless requires important financial support in the areas of creation, production and distribution. Whilst certain countries seem to be investing massively in the immersive (France is an example, with the France 2030 programme), how do things stand in Belgium? Several indicators would suggest that it is lagging behind other countries. An overview of the Belgian ecosystem and an investigation of possible trajectories.